The shocking true story of Allison Moore, a cop in Hawaii who became addicted to meth, deceived her entire police department, and endured prison, prostitution, and torture--until finally seeking redemption.
As a beautiful, ambitious, and fearless young woman, Allison Moore had everything going for her: She had been the star student of her recruit class, was quickly promoted to vice cop at the Maui Police Department, and gained the respect of her colleagues and a stellar reputation. Her future couldn't have been brighter. But when a doomed love affair with another cop led Allison to seek escape in crystal meth, she suddenly found her whole life turned around.
Using her position of authority and skill of manipulation, Allison hid her addiction to methamphetamines from her lover and her department for as long as possible. She fabricated an elaborate story that she had ovarian cancer and needed to seek treatment on the mainland, while actually escaping to get a steady supply of meth through a brutal Seattle drug dealer. Allison's friends and colleagues donated their sick leave to her and organized fundraisers for her fictitious cancer treatment. Meanwhile, Allison's dependence on meth put her at the mercy of a ruthless drug lord, who made her a virtual prisoner in his house, beating, raping, and torturing her repeatedly.
Allison was able to escape with the help of her mother, but just as the nightmare seemed to be fading and she got sober in rehab, she was extradited to Maui to face twenty-five felony charges filed by her own department. After a trial, she was sentenced to and served one year in the Federal Detention Center in Honolulu.
Astounding, gripping, and told firsthand in a deeply sympathetic voice, "Shards" spares no detail of Allison's horrific experiences and the web of addiction and betrayal that cost her everything--a career she loved, the colleagues who adored her, and the island that was once her paradise.

In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keita and Malick Sidibe became internationally famous and the Bamako Photography Biennale was founded. Moore traces the trajectory of Malian photography from the 1880s-when photography first arrived as an apparatus of French colonialism-to the first African studio practitioners of the 1930s and the establishment in 1994 of the Bamako Biennale, Africa's most important continent-wide photographic exhibition. In her detailed discussion of Bamakois artistic aesthetics and institutions, Moore examines the post-fame careers of Keita and Sidibe, the biennale's structure, the rise of women photographers, cultural preservation through photography, and how Mali's shift to democracy in the early 1990s enabled Bamako's art scene to flourish. Moore shows how Malian photographers' focus on cultural exchange, affective connections with different publics, and merging of traditional cultural precepts with modern notions of art embody Caribbean philosopher and poet Edouard Glissant's notion of "relation" in ways that spark new artistic forms, practices, and communities.

In Embodying Relation Allison Moore examines the tensions between the local and the global in the art photography movement in Bamako, Mali, which blossomed in the 1990s after Malian photographers Seydou Keita and Malick Sidibe became internationally famous and the Bamako Photography Biennale was founded. Moore traces the trajectory of Malian photography from the 1880s-when photography first arrived as an apparatus of French colonialism-to the first African studio practitioners of the 1930s and the establishment in 1994 of the Bamako Biennale, Africa's most important continent-wide photographic exhibition. In her detailed discussion of Bamakois artistic aesthetics and institutions, Moore examines the post-fame careers of Keita and Sidibe, the biennale's structure, the rise of women photographers, cultural preservation through photography, and how Mali's shift to democracy in the early 1990s enabled Bamako's art scene to flourish. Moore shows how Malian photographers' focus on cultural exchange, affective connections with different publics, and merging of traditional cultural precepts with modern notions of art embody Caribbean philosopher and poet Edouard Glissant's notion of "relation" in ways that spark new artistic forms, practices, and communities.

Murderer's Blade is a dystopian novel following a world broken up by war. The government is corrupt, and it has established orphanages throughout the country which secretly serve as screening centers for a secret program. The brightest and most talented kids are identified and sent to an elite assassin training academy where they are taught to hunt the most dangerous criminals. Scarlet is one such candidate. An orphan without a family, she navigates friendships, dangerous adventures and even falls in love for the first time. Until, one day, her world turns upside down. Maybe the people she is trained to hunt are not the enemy. Maybe Scarlet's family is closer than she thinks. And maybe, just maybe, her friend is not who she seems to be

A true story of a mother finding hope for her daughter born with cerebral palsy due to a stroke at birth. This journey takes you through many difficult challenges with this family along with 12 years of doctors saying there is no cure. One day they discover a doctor who was able to help and give them hope for full recovery. This story is meant to spread the news of this miraculous treatment with no surgery or drugs and help many people with neurological and central nervous system disorders.

Comedy Characters: 2 males, 4 females When she's cast as the "last girl" in a low-budget slasher flick, Sheena thinks it's the big break she's been waiting for. But news of the movie unleashes her malingering mother's thwarted feminist rage, and Mom is prepared to do anything to stop filming...even if it kills her. The hilarious hit of 2009's Humana Festival of New American Plays at the Actors Theater of Louisville. "Screaming. Blood. Impalements. Meat hooks. Electric drills. Objectified sexy women. Crazy mother in wheelchair. Whaddya expect? It's a slasher movie." -Philadelphia Inquirer "...Slasher elicits laughs by intentionally indulging in everything that makes horror films atrociously unentertaining." -Broad Street Review